Thursday, August 25, 2005

Good story telling overcomes fatal logic flaws

Imagine you have a child in day care. No matter how hard you try to leave the office on time, you always seem to get caught in traffic or the boss catches you as you go out the door.

No matter. You know the day care center won’t close and put your child on the street, but you are tired of seeing the peevish looks on the staff members’ faces when you show up 20 minutes late.

Then one day, the center announces a new client benefit program. For just $3, they’ll watch your kid for another hour.

Do you say to yourself, “Wow! That’s great! For a nominal fee, now I don’t have to drive myself crazy with traffic, or risk offending my boss! What a great service.”

Not if you are the authors of a book topping the best-seller lists called “Freakonomics.”

The authors, who say they are applying economic principles to daily life, studied this case because the day care center actually didn’t want kids to stay late. They thought the “fine” of $3 would dissuade people from coming late so their staff could go home early. The opposite occurred – more parents than before came late and gladly paid the fee. The authors then make some wild assertion that the $3 “fine” actually alleviated the parents’ “guilt” for coming late.

No doubt you’ve heard a version of this tale at your cocktail parties or networking meetings. The story has made the rounds on NPR and in many book reviews. But it is always told from the author’s point of view. They never once considered that people would consider the fee a justifiable expense for a worthwhile service. Isn’t that what service is all about? I guess these authors don’t really live in the real world – one is an economist at a university. Need I say more?

I want to make a publicity point here, as I always do.

This book, “Freakonomics” and another book written in a similar vein to universal acclaim, “Tipping Point” share two things in common beyond their best-seller status and universal acclaim:

1. They are full of beautifully written stories.
2. At least one of their first stories is so convincingly told with nearly airtight precision in their logic that you don’t notice the gaping holes in the rest of the stories in their books!

Let me make the case, then show the point.

In “The Tipping Point,” the author tells the best story ever about social networks and influence that I’ve ever read. This is worth the price of the book alone. Absolutely brilliant.

However, in a later chapter, he makes the point that crime in New York went done when the mayor decided to launch a clean up campaign against graffiti on the subways. I won’t debate the point since I’m not a crime expert.

But, the authors of Freakonomics make the claim that crime has gone down because of legalized abortions.

Again, I won’t say who is right or who is wrong since I’m not qualified, but three thoughts should cross your minds:

1. If one is right, the other is wrong.
2. Both these ideas could be totally wrong! Could there be another factor? Or in this complicated world, couldn’t there be a variety of factors that interplay?
3. If they are wrong here, then maybe they are wrong elsewhere.

So here’s the point:

The authors of both books weaved stories so well told that literally hundreds of reporters and reviewers never questioned their conclusions!

Here’s what it means to you: If you tell a good story, sound convincing and offer a modicum of proof, you just might be able to convince some of the people some of the time. And if you do it better, then you can convince all of the people all of the time.

Critical thinking is rarely taught in schools and barely practiced by adults. I challenge you to re-read those books and see if you can’t poke holes in their arguments.

Dan Janal
Your Fearless PR LEADER
PR LEADS
www.prleads.com

Tuesday, August 23, 2005

What Google Never Told You About Google AdSense

How Authors and Experts Can Make Money With Google AdSense: What Google Never Told You

Dan Janal interviews Joel Comm

Seminar date: Thursday, August 25, 2005


Thousands of web publishers are using Google AdSense to monetize their sites with pay-per-click text ads. But only a minority are succeeding in generating enough clicks to make a good income with this form of contextual advertising.

AdSense expert, Joel Comm, reveals the tips and tricks that helped him increase his AdSense income from $30/day to over $500/day. Joel shows how proper ad page placement, ad block selection and ad color choices can make an huge difference in influencing clickthrough rates and revenue earned.

As author of the best-selling ebook, "What Google Never Told You About Making Money with AdSense" (now in it's second edition), Joel has helped thousands of site owners realize the potential gold mine within their reach."

Here are a few of the valuable questions you'll be able to answer after listening to this seminar:

1) What is Google AdSense?

2) What is your AdSense story?

3) Some people suggest that the "AdSense Party" is coming to an end. What do you think of that statement?

4) Can anyone benefit from using AdSense, or is it only for site owners with a lot of pages or a lot of traffic?

5) What are some typical mistakes people make when using AdSense?

6) Is it better to build one large site focused on a single niche, or should people be looking to build several smaller sites in order to maximize their AdSense income?

7) Apart from generating more revenue, how can you tell if your AdSense site is optimized?

8) Are there some sites that AdSense is not a good fit for?

9) Many site owners want to add more pages to their sites, but don't know where to look to find additional content. What tips can you share that can help them build more quality pages that can then be monetized with AdSense?

10) What wisdom can you impart for people wanting to get started with AdSense right away?

And whatever else you would like to ask.



Joel Comm is an Internet entrepreneur who has been building successful web sites since 1995. Dedicated to providing a family-friendly Internet experience, Joel's flagship site, WorldVillage.com, continues to be a popular family-safe portal. Joel is the co-creator of Yahoo! Games and co-author of Internet Family Fun: The Parent’s Guide to Safe Surfing (1997, No Starch Press). He is the Mayor of WorldVillage.com and author of the best-selling ebook, “What Google Never Told You About Making Money with AdSense”


Date: Thursday, August, 25, 2005
Time 2-3 p.m. Eastern.
Fee: None
Register for the seminar here:
http://snipurl.com/googleseminar


Order Joel's great book here



You can order the CD for $29.95 by clicking on this link:



If you'd rather read the transcript, you can order the transcript for $15, by clicking on this link




If you'd like to join our Inner Circle and receive all the transcripts for all our sessions, and listen to all previous recordings, click on this link



You'll also be able to listen to all future sessions and see all future transcripts for just $20 a month. Remember to click here


You can see an innovative way I've used Ad Sense for an e-book I posted online! Click here:
http://snipurl.com/booksample

Thursday, August 11, 2005

How soon they forget

There's an ad making the rounds in the Minneapolis that I thought was local, but when you read this message, you'll realize it was national and you might have seen it as well. I'm setting this message up like this so I can get your feedback.

The TV spot opens with a guy talking about cars, but his face is hidden behind a newspaper (in another similar spot, his face is hidden by a computer screen). He's talking about something great going on with Chrysler cars. He says the cars are good, but something's missing. His pre-teen granddaughter, sitting at the same table says, "Like you always say, granpa, "If you can find a better car, buy it" Or something like that.

Then you see the guy's face and he says something smarmy like, "That's my girl."

I figured it was some local car guy who retired and was brought back in to boost car sales.

In many cities, car dealership owners are quite famous. They put their names on their businesses and whenever someone buys a car, they put a metal plate on the back of the car saying the name of the dealership, so their customers spread their name. You can probably name 3 car dealers in your area. They rarely call themselves Westside Ford. It is usually John Smith Ford.

I couldn't figure out who this guy was, so I asked my wife the next time the commercial came on. She knew right away: Lee Iacocca.

In case you don't recognize that name, he was the chairman of Chrysler a zillion years ago and brought them back from bankruptcy. I even read his thrilling autobiography, which was a best seller.

Yet, I couldn't pick him out of a line of local car guys in a million years.

So, have you seen this ad? Did you know who he was? What does this say about celebrity based advertising?

Turns about, Iacocca left Chrysler in 1992, about 13 years ago. Which would have made the girl about 6 months old a most and she couldn't possibly have heard her grandfather make the statements, but that's another story for another time. I guess that's commercial license.

Dan Janal
Your Fearless PR LEADER
PR LEADS
http://www.prleads.com

Monday, August 01, 2005

What to do when a reporter doesn't quote you

Question: A reporter interviewed me about tips on exercise. She did a story on

this subject using info I gave her. You guessed it. She didn't give me credit. How do I prevent this from happening?



Answer: This happens from time to time and it stinks! I would definitely make a note of the name of the reporter and the magazine. Should they contact you again, I'd begin by negotiating with them. Definitely lay out terms: if you use my material, you will quote me with these words. Otherwise, don't waste your time.


Most reporters know how the game is played. Also, they realize they must quote you to give their story credibility. So in MOST cases, this is a non-issue.


However, sometimes editors cut names because of space.


Sometimes your name might be cut if you give the same information as five other sources. In this case, reporters consider the information generic and don't feel as if it needs to be attributed.


Don't ever start a conversation with a journalist who is new to you by negotiating. It sets a bad tone, as they know you are seeking ink and will give it to you -- in most cases.

If this does happen, you can ask the reporter "What happened?" Maybe they'll feel guilty and owe you one.

Assume the best and plan for the worst.


I hope this helps.

Dan Janal
Your Fearless PR LEADER
PR LEADS
www.prleads.com